Personas, Lugares Y Cosas

In a world that bends and blurs to match its heroine's altered perception, Emma collapses, high, in the middle of playing Nina in Chekhov's The Seagull. She checks into a rehabilitation clinic, where she mocks group therapy, dodges the twelve steps and lies easily about who she is. Among patients and staff who refuse to be charmed, she is slowly pushed towards the one role she has never managed to play: herself.